Bottom Line. The Nikon 24 120mm is indeed the cauliflower of lenses. It’s not flashy and it doesn’t have legions of devoted, rowdy fans. While the Nikon 24 120mm isn’t the flagship Nikon 24-70 f/2.8. But it’s a solid lens that provides versatility, quality and performance at a great value. Let’s see how both compare wide open (Left: 28-300mm, Right: 18-200mm): The 18-200mm is clearly superior at 28mm f/4.0 than 28-300mm at f/3.5 in the center. Stopping down 28-300mm to f/4.0 improves sharpness and by f/5.6 both lenses perform equally well, with a slightly better performance by the 28-300: 5.2 x 3.3" (133 x 83mm) long, diameter. 31.7 ounces (900g) weight. included HB-45 lens hood, CL-M3 soft case, caps. US$1890. Model Number 2164. Announced August 2007. Thom's Mini Review: The 24-70mm seems long in the tooth these days. No VR is the usual complaint, but Nikon's more recent zooms—even the more consumer-oriented ones—sometimes Photos OK to edit. Aug 12, 2014. #8. Thom Hogan's 70-200 VR II review shows side-by-side image comparisons, and yesthe Nikkor 70-200 VR II loses a TON of effective focal length at minimum focusing distance at 200mm, where the VR II is actually134mm in measured, effective, real, actual focal length. Nikkor Z 70-200mm f/2.8 VR S: Autofocus. The lens autofocuses in a spritely manner in good light and signs of it hunting for focus were only observed when it was used in an extremely dim indoor setting. Nikon Z5, Nikkor Z 70-200mm f/2.8 VR S, 1/500sec at f/2.8, ISO 100. I assigned the L-Fn2 button to perform AF-ON for a majority of my testing
Above: Sigma 24-70mm f2.8 OS Art on D810 at 35mm, f2.8. Above: Nikon 24-70mm f2.8E VR on D850 at 35mm, f2.8. Above: Tamron SP 24-70mm f2.8 VC on a D850 at 35mm, f2.8. At 35mm focal length both Tamrons beat the Sigma and the Nikon in the DX image-circle while the FX-corner is won by the Nikon. Performance at 50mm:
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    • nikon 24 70 f2 8 vr review